bringing IMMERSIVE to life
We are a team of veteran music and film industry professionals and innovators serving as a conduit into immersive music, film and new media.
MRSV has mixed for film, documentary and delivered over 200 songs in ATMOS featuring multiple Grammy-award winners including Mariah Carey, Kirk Franklin, Maverick City, Toby Mac, as well as Grammy Nominated artists Khalid, Travis Greene, Owl City, Doe Jones, Mercy Me and Reliant K. Most recently MRSV mixed the Red Clay Strays who reached #1 on the iTunes Album Charts (all genres)90% of the featured songs from these projects landed in Apple Music's prized Spatial Audio playlists.
LOREN JOHNSON
FOUNDER | CEO
Loren is a seasoned music professional and innovator with a knack for anticipating how current technologies and trends will impact the future. He integrates extensive experience in branding, music production, marketing management, distribution, creative consulting, and new technologies.
Loren earned an MBA from Baylor University and has credits and served as a producer and/or consultant on over 100 album projects for both independent and major multi-national record companies, including Grammy Award-winning producers, INC 50 entrepreneurs, and world-renowned artists. In addition, Loren holds a content distribution and cloud storage patent and is considered a forerunner in the field of real-time electronic distribution of music and video on demand.
A pioneer in the area of artist services, Loren built branding and monetization platforms for emerging, established, and legacy artists. These artist-centered engines integrate his experience as an award-winning producer, artist, songwriter, and entrepreneur. Music released through these platforms has gone on to top the Pop, Singer-Songwriter, Dance, and Country iTunes charts, as well as earning a Billboard #1. He has also created strategic branding partnerships with international brands, including Free People, Rebecca Minkoff, and others. The music videos he has produced have over 48 million views collectively.
Loren currently serves as a board member for several non-profits, including as an advisor to Hope-20, a non-profit organization serving Nashville artists and musicians impacted by the COVID-19 pandemic.
Loren earned an MBA from Baylor University and has credits and served as a producer and/or consultant on over 100 album projects for both independent and major multi-national record companies, including Grammy Award-winning producers, INC 50 entrepreneurs, and world-renowned artists. In addition, Loren holds a content distribution and cloud storage patent and is considered a forerunner in the field of real-time electronic distribution of music and video on demand.
A pioneer in the area of artist services, Loren built branding and monetization platforms for emerging, established, and legacy artists. These artist-centered engines integrate his experience as an award-winning producer, artist, songwriter, and entrepreneur. Music released through these platforms has gone on to top the Pop, Singer-Songwriter, Dance, and Country iTunes charts, as well as earning a Billboard #1. He has also created strategic branding partnerships with international brands, including Free People, Rebecca Minkoff, and others. The music videos he has produced have over 48 million views collectively.
Loren currently serves as a board member for several non-profits, including as an advisor to Hope-20, a non-profit organization serving Nashville artists and musicians impacted by the COVID-19 pandemic.
EMILY RUSSELL
ATMOS MASTERING SPECIALIST AND MIX ENGINEER
"An established authority on immersive audio, Emily is a multi-talented mixer and mastering engineer who has been a part of Nashville’s music community for almost a decade.
Emily earned her Master of Science in Audio Engineering from Belmont University where she built her degree around immersive audio; studying the technology, science, and practical skill set necessary to create impactful and expressive immersive music mixes. She conducted thesis level research on immersive music technologies and the utilization of various different mastering techniques to create a better listening experience for consumers.
Emily maintains impeccable audio acumen and an innate understanding of audio technology, both of which landed her in exclusive positions at Universal Music Group (UMG) and Grammy-award winning music studios in Nashville and New York City. Emily has been a part of projects for multiple major label artists including Carrie Underwood, David Guetta, Avery Anna, and Lauren Daigle.
In addition to her studio work, Emily has provided technical audio editing, mixing, and quality assurance for UMG’s brand-new, music-centric wellness app Sollos, which uses “cognitive science and proprietary audio technology to support focus, relaxation, and sleep.”
Emily is a member of Women’s Audio Mission, the Audio Engineering Society, and a George Michael fan page on Facebook."
Emily earned her Master of Science in Audio Engineering from Belmont University where she built her degree around immersive audio; studying the technology, science, and practical skill set necessary to create impactful and expressive immersive music mixes. She conducted thesis level research on immersive music technologies and the utilization of various different mastering techniques to create a better listening experience for consumers.
Emily maintains impeccable audio acumen and an innate understanding of audio technology, both of which landed her in exclusive positions at Universal Music Group (UMG) and Grammy-award winning music studios in Nashville and New York City. Emily has been a part of projects for multiple major label artists including Carrie Underwood, David Guetta, Avery Anna, and Lauren Daigle.
In addition to her studio work, Emily has provided technical audio editing, mixing, and quality assurance for UMG’s brand-new, music-centric wellness app Sollos, which uses “cognitive science and proprietary audio technology to support focus, relaxation, and sleep.”
Emily is a member of Women’s Audio Mission, the Audio Engineering Society, and a George Michael fan page on Facebook."
SCOTT GLASEL
FOUNDER | CTO December 27, 1957 – May 14, 2023
Scott was so much more than a Co-founder and business partner he was a dear friend. I love you and miss you Scott - until we see each other again let's continue to work to bring Heaven to earth. In Memorium
Scott’s innate passion for sound led to a career spanning over 30 years working with some of the most renowned artists of all time. He was known for his work as a master recording engineer, re-recording engineer, music producer and songwriter. Scott had expertise on a wide range of world-class equipment, software and audio systems. At the heart of the matter, he was really still that kid who is fascinated by everything having to do with sound.
Working for nearly a decade with Barry, Maurice and Robin Gibb of The Bee Gees, Scott served as a key member of the production and engineering team at the near-mythical Middle Ear Studio. He had the privilege of recording renowned music talents such as Diana Ross and the late great Michael Jackson. In addition to being a chief engineer, Scott also collaborated on several albums as drum programmer and synthesist. Maurice Gibb once introduced Scott to Paul McCartney as an “all-around good egg” .
After The Bee Gees, Scott became a product specialist for DigiDesign and was part of the delivery team that launched ProTools 3. Then he immersed himself in the world of sound for film and television in Hollywood. As a product specialist for AMS-NEVE, he installed the famed Neve DFC console and the industry-standard NEVE 88R consoles at Disney, Warner Brothers, Fox, Todd-AO and Skywalker Ranch. He is proud that many of the upgrades of these products include features that he recommended, based on his field experience and hands-on product testing.
In the film mixing world Scott explains, “I trained Oscar-winning film re-recording mixers on state-of-the-art software and hardware. I worked on films such as Blast From The Past (Christopher Walken, Brendon Frazier), Training Day (Denzel Washington, Eva Menendez), Swordfish (John Travolta). Meet Joe Black (Brad Pitt) among others. I got to play with the world’s best sound equipment and worked with some of the most talented professionals at the most technically advanced studios on the planet.” Scott cultivated a close relationship with Dolby and brough the convergence of his experience into MRSV.
Working for nearly a decade with Barry, Maurice and Robin Gibb of The Bee Gees, Scott served as a key member of the production and engineering team at the near-mythical Middle Ear Studio. He had the privilege of recording renowned music talents such as Diana Ross and the late great Michael Jackson. In addition to being a chief engineer, Scott also collaborated on several albums as drum programmer and synthesist. Maurice Gibb once introduced Scott to Paul McCartney as an “all-around good egg” .
After The Bee Gees, Scott became a product specialist for DigiDesign and was part of the delivery team that launched ProTools 3. Then he immersed himself in the world of sound for film and television in Hollywood. As a product specialist for AMS-NEVE, he installed the famed Neve DFC console and the industry-standard NEVE 88R consoles at Disney, Warner Brothers, Fox, Todd-AO and Skywalker Ranch. He is proud that many of the upgrades of these products include features that he recommended, based on his field experience and hands-on product testing.
In the film mixing world Scott explains, “I trained Oscar-winning film re-recording mixers on state-of-the-art software and hardware. I worked on films such as Blast From The Past (Christopher Walken, Brendon Frazier), Training Day (Denzel Washington, Eva Menendez), Swordfish (John Travolta). Meet Joe Black (Brad Pitt) among others. I got to play with the world’s best sound equipment and worked with some of the most talented professionals at the most technically advanced studios on the planet.” Scott cultivated a close relationship with Dolby and brough the convergence of his experience into MRSV.
ALEX LOFTIN
ENGINEER
Originally from Fort Worth Texas, Alex Loftin is a touring /session bass player and mix engineer. Alex studied music business at Lee University and had the opportunity to study mixing under Garth Justice and Dolby Atmos mixing under Jim Baldree. (HBO, and the History Channel). Alex has has toured with Jason Crabb and is an active player in the Nashville and Chattanooga music scenes.